|Sad sprang thing, just off the frame|
I learned enough, however, that I could go back to it a few weeks later with better eyeballs (i.e. no contacts in) and more sleep and make something happen to the string. And I could repeat it. Going to a Baronial meeting with my project, I learned that Lady Auda is an accomplished sprang worker and got some more tips.
The next project will be on the larger frame that my honey made for me. I think I can make a bag for holding fruit at out camp, and if I keep the twists dense, the fruit won't fall out. I'm not sure what I can with this sad little blue thing, however! It's about 10 inches long, and has some significant holes. The next one I will leave a stick in every ten twists or so, in case I spot something further down and need to back out a mistake.
|Sad sprang thing, blocked|
On this one, you can see the big hole (sprang is worked from the middle, so it's a mirror image), and in trying to correct that I created a series of smaller holes. These are just on the right side and starting immediately below the big hole (I work left to right). Once the big hole started, the end thread on the right never got twisted to it's neighbor. I believe that I split my yarn just at, or just below, the big hole.
I know that the Copts in Fatimid Egypt were using sprang, but I'm not sure in what capacity. I had thought it was to make head coverings, but all of the extant pieces that I can find now are from earlier than the Fatimid period. Feel free to share any tidbits you might have!
When I have something useful I will add it to my A&S 50 count. Clearly this is a learning experience!